![]() Instead, viewers are forced to confront the downside of Marilyn’s celebrity. To further destabilize viewers, Blonde deliberately avoids recreating Marilyn’s iconic moments for entertainment. De Armas’ meta performance, as well, creates more distance whenever she breaks the fourth wall to address the camera, or in some instances, doesn’t attempt to conceal her Cuban accent while speaking as Marilyn. Dominik constantly reminds viewers that they are watching a constructed work of art. These formal techniques differ from conventional biopics by denying complete immersion into the movie. Blonde has a controversial NC-17 rating and features several scenes of sexual abuse and violence, further alienating viewers with its dark vision.īlonde changes from black and white to color and regularly switches aspect ratios, often in the same scene. For nearly three hours, Dominik dwells on the abuse Marilyn endured, and barely shines a light on the positive events that shaped her career, like when she announced the formation of her own production company in 1955. Some argue that Dominik misrepresents Marilyn by prioritizing her most painful private moments above her numerous professional accomplishments. By the movie's final scene, viewers are led to believe that Marilyn was a victim of her tragic fate, and despite her talent, she never stood a chance to survive.īased on the best-selling novel by Joyce Carol Oates, Blonde is dividing viewers with its speculative portrayal of Marilyn. Starring Ana de Armas as Marilyn Monroe, Blonde begins with Marilyn’s childhood and ends with her death, but Dominik significantly strays from the facts. ![]() ![]() ![]() As the sun set on the festival’s opening night, Jepsen left reminding fans that while most celebrated for her beloved throwbacks, she will continue to evolve in the realm of pop music.Andrew Dominik’s Blonde succeeds as a movie precisely because it fails as a biopic. While Jepsen appears to seek a changing sound in the pop sphere with her upcoming project, her ACL 2022 performance stands as a testament to her comforting, intimate approach to music. The airy, acoustic ballad, backdropped by a rotating moon, offered an introspective note to usher fans into her new era. In the midst of flashy throwbacks and high-energy tunes, a performance of upcoming song “Go Find Yourself Or Whatever” revealed a more vulnerable side of the singer. As bold neon swirls turned to lush California landscapes on the stage’s projection screen, Jepsen delivered a breezy performance of the 2022 single “Western Wind” allowing the singer to showcase a calmer sound to contrast her electro-pop roots. While older fan favorites inspired the most energetic response from the crowd, the real gems of Jepsen’s set came from her newer works. When introducing electro-pop heartbreak hit “Your Type,” a song about unreciprocated interest, the singer called out to the crowd, “Let out a moan for me if you’ve ever been friend zoned.” Other amusing trivia, including the fact that her love song “Now That I Found You” was, according to Jepsen, written about her cats, also made the showcase feel more intimate despite the sprawling crowd. Throughout the set, the singer playfully riffed off lighthearted anecdotes from her love life. Jepsen’s crowd interactions compounded the performance’s relaxed tone. While an offbeat aesthetic choice for most performances, the comic book-like set design perfectly matched Jepsen’s laid-back, sentimental showcase. In performing her saccharine love song “I Really Like You,” hand-drawn doodles decorated the screen behind the performers, evoking the carefree nature of a grade-school crush. Donning a rainbow pinstripe set, the pop star mesmerized the crowd with both old classics and new songs from her upcoming album The Loneliest Time.Īesthetically, Jepsen played into the appeal of many of her mid-2010s throwbacks, such as “Call Me Maybe.” Surrounded by kitschy set pieces, including large seven-pointed stars and fuzzy clouds resting on the ground, the set’s atmosphere recalled the look of a high school prom straight out of a cheesy rom-com. On Friday of ACL’s first weekend, Jepsen’s sunset performance on Barton Springs Stage invited fans for a sweet, nostalgic escape. “Austin, are you ready to run away with me tonight?” asked the singer, introducing her 2015 album opener “Run Away With Me.” Under a pink wash, the singer’s band and backup vocalists rushed to their places, followed by the bleach-blonde pop sensation herself. After a few minutes, fans chanted, “Carly, Carly, Carly,” a call which seemingly activated the set. Eager audience members tossed around a yellow beach ball while awaiting the arrival of singer-songwriter Carly Rae Jepsen.
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